TÜRKÇE

Publications

Tekman, H. G. (2003). Effects of accenting and regularity on detection of temporal deviations: Does regularity facilitate performance? Journal of General Psychology, 130, 247-258. Abstract

Tekman, H. G. (2002). Perceptual integration of timing and intensity variations in perception of musical accents. Journal of General Psychology, 129, 181-191. Abstract

Tekman, H. G. (2001). Accenting and detection of timing variations in tone sequences: Different kinds of accents have different effects. Perception & Psychophysics, 63, 514-523. Abstract

Tekman, H. G. (1998). Effects of melodic accents on perception of intensity. Music Perception, 15, 391-401. Abstract

Tekman, H.G. & Bharucha, J.J. (1998). Implicit knowledge versus psychoacoustic similarity in priming of chords: Tests of a neural net model. Journal of Experimental Psychology: Human Perception and Performance, 24, 252-260. Abstract

Tekman, H.G. (1997). Interactions of perceived intensity, duration, and pitch in pure tone sequences. Music Perception, 14, 281-194.  Abstract

Tekman, H.G. (1995). Cue trading in the perception of rhythmic structure. Music Perception, 13, 17-38. Abstract

Tekman, H.G. & Bharucha, J.J. (1992). Time course of chord priming. Perception & Psychophysics, 51, 33-39. Abstract

 

Conference Presentations

Atalay, N. B. & Tekman, H. G. (August, 2006).  Integratoin of nondiatonic chords into diatonic sequences:  Results from scrambling sequences with secondary dominant chords.  9th International Conference on Music Perception and Cognition, Bologna, Italy.

 

Atalay, N. B., Tekman, H. G., & Toiviainen, P. (August, 2006).  Priming by nondiatonic chords:  The case of the Neapolitan chord.  9th International Conference on Music Perception and Cognition, Bologna, Italy.

Tekman, H. G., Kurt, S., & Peynircioglu, Z. (September, 2003). Perception of melodies with symmetric and asymmetric meters by listeners faniliar and unfamiliar with asymmetric meters. Paper presented at the 5th European Society for the Cognitive Sciences of Music, Hannover, Germany.

Tekman, H.G. & Atalay, N. B. (July, 2002). Chord priming beyond associative networks. Paper presented at 7th International Conference on Music Perception and Cognition, Sydney, Australia.

Tekman, H. G. (August, 2000).  Psychoacoustic determinants of the use of time in musical peformance.  Paper presented at the 6th International Conference on Music Perception and Cognition, Keele, United Kingdom.

Tekman, H. G. (August, 2000).  Dynamic attending in detection of temporal variability.  Poster presented at the 6th International Conference on Music Perception and Cognition, Keele, United Kingdom.

Tekman, H. G. (August, 1998). Opposite effects of intensity and melodic accents on detection of timing variations. Paper presented at the 5th International Conference on Music Perception and Cognition, Seoul, Korea.

Tekman, H.G. (June, 1997). Perceptual effects of melodic accents. Paper presented at the 3rd Triennial ESCOM (European Society for the Cognitive Sciences of Music) Conference, Uppsala, Sweden.

Tekman, H.G. (August, 1996). Effect of regular and irregular accents on detection of variations in tone sequences. Paper presented at the 4th International Conference on Music Perception and Cognition, Montreal, Canada.

Tekman, H.G. (November, 1993). Accenting and the perception of timing, intensity, and pitch in pure tone sequences. Poster presented at the 34th Annual Meeting of the Psychonomic Society, Washington, D.C.

Tekman, H.G., Bharucha, J.J., & Mitra, S. (February, 1992). Chord priming effects in intonation judgments with different levels of mistuning. Paper presented at 2nd International Conference on Music Perception and Cognition, Los Angeles, California.

Tekman, H.G. & Bharucha, J.J. (April, 1991). Dynamics of the development of harmonic priming: From tones to keys and back. Paper presented at the 62nd meeting of the Eastern Psychological Association, New York, New York.

Tekman, H.G. & Bharucha, J.J. (March, 1990). Time course of the build-up of harmonic priming effects. Paper presented at the 61st meeting of the Eastern Psychological Association, Philadelphia, Pennsylvania.

Doctoral Dissertation

Perception of rhythmic structure in tone sequences: Interactions of relative timing, intensity, and pitch. (Dissertation Abstracts International, 53, 3817B.)